Panasonic Lumix G Vario 45-200mm F/4-56 Ii Review
This past fall, Panasonic made several announcements in advance of Photokina, but one that flew under the radar a bit was the add-on of a very compact 35-100mm f/four-five.6 lens. The new 35-100mm is a slower pick that sits aslope the excellent 35-100mm f/2.viii from Panasonic. This new lens, which gives the same field of view as the classic 70-200mm telephoto zooms on 35mm cameras, is exceptionally small, making it an ideal choice for inclusion in super-lightweight travel kits. If you're like me, though, such a lens is only really a useful option if the optics are good every bit well. Permit'southward discover out how practiced small can be.
If you lot're not familiar with my reviews, I review from a real world shooting perspective. Yous won't observe lens charts or resolution numbers here. There are plenty of other sites that comprehend those. I review products on how they act for me every bit a photographic tool.
Construction and Treatment
The first thing that strikes you when you first see the new 35-100mm f/4-5.six is its size. The lens is about impossibly small. Most telephoto lenses, by necessity, are relatively long lenses. The smaller 4/3 sensor size has allowed many telephoto options for the Micro 4/3 system to shrink the overall lens size, but none compare to the miniaturization that the 35-100mm achieves.
The lens is a collapsible blueprint, and when collapsed, it'due south no larger than the collapsible xiv-42mm kit zoom from Olympus. It's the same bore as the Micro four/3 lens mount and only about i.five inches in length. Equally such, the lens works extremely well on any of the Micro four/three bodies, and seems geared towards the smaller cameras such as the Panasonic GM1 and GM5 or the Olympus E-PL7. I used the lens on both the OM-D E-M5 and the Panasonic GX1, and it felt not bad on both bodies.
The lens isn't a loftier-stop lens with regards to construction, just it's fairly well assembled. The 35-100mm has a metallic lens mount and lightweight metal exterior. The inner lens barrel, which extends when put into shooting position, and extends farther when zooming towards 100mm, is made of plastic. The inner tube tin can wobble a chip if pressure is applied, but there's very limited play in general use. The zoom band opens the lens into shooting position, and is well damped for zooming through the focal range. In that location is a semi-hard end at 35mm to let y'all know you've reached the end of the zoom through. Proceeding past this stop will collapse the lens. The focus ring operates smoothly, but is just lightly damped.
The extremely small size makes this lens an ideal travel companion, and it fits in very well with lenses such as the Olympus 9-18mm and the Panasonic pancake zoom 12-32mm. In fact, all iii lenses together weigh less than 400g and would cover an incredible range from ultra-wide angle to medium telephoto.
Autofocus and Image Stabilization
The 35-100mm f/4-five.half-dozen focuses very quickly and accurately. The autofocus motor is virtually silent and the lens was sure and confident in focusing on both camera bodies used for testing.
The lens also features Panasonic's optical prototype stabilizer, dubbed Mega OIS. The OIS on the 35-100mm is surprisingly constructive, especially sing the 'Mega OIS' moniker is Panasonic's standard level IS arrangement. The 'higher-end' stabilization is named 'Power OIS.' The optical stabilizer allowed me to reach sharp images consistently at around one/15s, which equates to a shutter speed effectually iii.5 stops slower than what usually is needed for precipitous shots. Similar many stabilizer systems for Micro 4/3, you practise demand to watch when using the optical stabilizer at speeds around 1/60s, every bit information technology can be prone to some blurring due to shutter daze around that speed.
Continue: Image Quality
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Source: https://admiringlight.com/blog/review-panasonic-lumix-35-100mm-f4-5-6-ois/
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